First Person – Muting MY Voice

I love writing in first person. My two favorite manuscripts are written first person. My favorite one is written first person male and that lead character is my favorite son. He’s also head strong, opinionated, and difficult to manage, but that’s another post!

Writing in first person comes with inherent risks. It’s such a turn off to some people, they won’t even consider a novel written in first person. Some publishers, editors, and agents have the same reaction. For those people, first person novels are a tough sell.

First person naturally limits the amount of information you can share with your readers. Because one character is telling the story, that character can tell only what he or she experiences.

First person also, therefore, challenges the writer by forcing him or her to find creative and believable ways to present necessary information to the character and, through the character, to the reader.

But there is another aspect of first person story telling that took longer to sink into my consciousness than all the regular ‘rules’. It’s also more of a personal and spiritual thought than a writing thought (that’s probably why it took longer to sink in!). It is this: Is there too much of me in the stories I write first person?

Neither the artist nor the author can avoid showing up in his or her work. The paintings I paint and the stories I write reveal who I am and what my world view is by virtue of the subjects I choose and the way I handle them. But the paintings shouldn’t be more about me than about the subject and the stories shouldn’t shout so loudly about me, as the author, that the characters are cardboard cutouts of me. Even if my life weren’t relatively boring (and it is), it wouldn’t interest most people.

Novels are also not ‘just another platform for the rant of the day’. Yes, I do often rant through characters, but those writings are as much about processing thoughts and reactions as they are about writing and most of them will never see the light of day. And I sometimes write rants for characters who believe differently than I do in order to explore important issues or to vent.

I do believe some things need to be said. I also believe some characters are more suited to delivering a good rant than others. And some stories beg for characters who feel strongly enough about something to rant.

Having said that, however, every writer needs to be careful that every character they create is unique and personable, his or her own person, and that they honestly and truly believe what they’re saying. Don’t put words into the mouths of characters just because you want to say them and need a platform to speak them. Every part of a novel has to fit the story world, the situation, and the characters or it becomes just another rant.

If you write in first person, you need to be especially careful of author intrusion, but it can happen in any voice and in any genre.

This is one of my struggles as a writer. I’m certain other writers face the same challenge. That’s okay, so long as you recognize the weakness and take special care to root it out of the manuscript during editing.

Q4U: How do you most show up in your novels?

Carrie

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About Carrie

I've been an avid looker-at of books since I was old enough to sit on Mom's lap and listen to the stories she read. Once I learned to read and discovered the school library, I read every horse story I could find. I must have read Walter Farley's Black Stallion series a dozen times during grade school. I still enjoy reading the adventures of the Black Stallion and Flame and all the rest. But Marguerite Henry, C. W. Anderson, Thomas Hinkle and anyone else who wrote a story about a horse was also on my to-read list. I couldn't get enough of them. Then I found Agatha Christie and Sir Arthur Conan Doyle and discovered another world; the world of mysteries! More recently Dick Francis has combined my love of horse stories with my love of mysteries with his series of books. Frank E. Peretti, Joel C. Rosenberg and other writers now fire my writing and story telling imagination. I am, as yet, unpublished. I write every day, maintain painting and writing blogs, painting journals, writing journals and a number of other writing endeavors. Along with other members of my church family, I've written devotions for Advent and Lenten devotional booklets. For a time, I wrote a monthly column for the Newton Kansan newspaper. I still enjoy a good horse story but I also enjoy a good mystery or cozy mystery, suspense and a little bit of action here and there, as well as literary works. I hope, Lord willing, to try my hand at each of those genres, but if you pressed me to tell you what my stories are about, I'm most likely to tell you they're usually a mix of political thriller and Old Testament prophecy. The Old Testament prophets had a lot to say to the people of their day. They have a lot to say to us, too. It's impossible to follow the news and read Old Testament prophecies and not make connections. Once a connection is made, a story is likely to take shape. The never ending wellspring of ideas is often delightful, frequently overwhelming and sometimes frightening. After all, I know what followed the prophecies of the Old Testament prophecies. Can we be far behind...?
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